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三島由紀夫「みのもの月」論 —『文藝文化』同人と「古今和歌集」—
https://hijiyama-u.repo.nii.ac.jp/records/114
https://hijiyama-u.repo.nii.ac.jp/records/1145472e74a-4cf1-448c-854f-414a9afaecec
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
28.pdf (1.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||||
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| 公開日 | 2023-02-16 | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | 三島由紀夫「みのもの月」論 —『文藝文化』同人と「古今和歌集」— | |||||||||||||
| 言語 | ja | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | A Note on Mishima Yukio’s “Minomono-tuki” —A friend of “Bungei-Bunka” and “Kokin-wakasyu”— | |||||||||||||
| 言語 | en | |||||||||||||
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| 言語 | jpn | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | 比治山大学蔵「三島由紀夫文庫」 | |||||||||||||
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| 主題Scheme | Other | |||||||||||||
| 主題 | 清水文雄 | |||||||||||||
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| 主題Scheme | Other | |||||||||||||
| 主題 | 「みのもの月」 | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | 「古今和歌集」 | |||||||||||||
| キーワード | ||||||||||||||
| 主題Scheme | Other | |||||||||||||
| 主題 | 『文藝文化』 | |||||||||||||
| 資源タイプ | ||||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||||
| 著者 |
九内, 悠水子
× 九内, 悠水子
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| 抄録 | ||||||||||||||
| 内容記述タイプ | Abstract | |||||||||||||
| 内容記述 | Based on the survey of “Mishima Yukio Bunko" of Hijiyama University, the main focus of this paper was placed on the “Minomono-tsuki (moonlight on water surface)" involved in the “Shimizu Fumio old stock". Shimizu left his note onto the novel, “Minomono-tsuki" <document number MAMi0-80>. It is generally pointed out that “Kagerofu-no-nikki (diary of dragonfly)" and “Hototogisu" written by Tatsuo Hori, as well as their original literature, “Kagerofu-Nikki" influenced “Minomono-tsuki". As far as Shimizu’s note is concerned, however, it can be concluded that he recognized the influence of “Kokin-Wakashu (Kokin poet collection)" upon this novel. Mishima created characters filled with intelligence and culture, by citing Waka (short poetry) involved in ancient works such as “Kokin-Wakashu" or “Ise-Monogatari" into “Minomono-tsuki". And then, he described the suffering and sorrow for waiting = bearing of dynasty persons, in a multi layered or stereoscopic manner. Moreover, he succeeded to develop the story by relating images from Waka to Waka. There still remain some issues to be considered. For instance, how did Mishima learn the classics in relationship with Zen-mei Hasuda, Fumio Shimizu, or coterie of “Bungei-Bunka (literary culture)"? As a result, what kind of literary view was formed by them? Moreover, how did they reflect in this work? More precise study is necessary to answer these questions. The note of Shimizu is considered to be a very valuable clue for this purpose. |
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| 書誌情報 |
比治山大学紀要 en : Bulletin of Hijiyama University 号 24, p. (1)-(13), 発行日 2018-03-31 |
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| 出版者 | 比治山大学 | |||||||||||||
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| 収録物識別子タイプ | ISSN | |||||||||||||
| 収録物識別子 | 2188-899X | |||||||||||||
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| 収録物識別子タイプ | NCID | |||||||||||||
| 収録物識別子 | AA12716333 | |||||||||||||
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| 内容記述タイプ | Other | |||||||||||||
| 内容記述 | application/pdf | |||||||||||||
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| 出版タイプ | AM | |||||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_ab4af688f83e57aa | |||||||||||||
