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A Socioeconomic Essay on Mingei Movement with Some Reference to the Arts and Crafts Movement in UK
https://hijiyama-u.repo.nii.ac.jp/records/666
https://hijiyama-u.repo.nii.ac.jp/records/6664abd0497-86b3-4d05-9ba0-dbe545fef7ca
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||||
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公開日 | 2023-02-20 | |||||||||||||
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タイトル | A Socioeconomic Essay on Mingei Movement with Some Reference to the Arts and Crafts Movement in UK | |||||||||||||
言語 | en | |||||||||||||
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言語 | eng | |||||||||||||
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資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||||
資源タイプ | departmental bulletin paper | |||||||||||||
著者 |
佐中, 忠司
× 佐中, 忠司
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内容記述タイプ | Abstract | |||||||||||||
内容記述 | According to the proposition brought about by Yanagi at its early stage, Mingei (Folk Crafts) are, originally, objects of household, by unknown craftsmen and for everyday use of ordinary people. Thanks to these properties, handicrafts become appreciative of beauty. In the theory of Mingei, the act of creation alone is not sufficient to give things beauty. All crafts have to have 'after-life' and beauty to a large extent arises from the way in which things are used in this after-life. That is why, the more objects are used, the more beautiful they become. As a matter of fact, however, a number of Mingei used to turn out different things. | |||||||||||||
書誌情報 |
比治山大学現代文化学部紀要 en : Bulletin of Hijiyama University 号 17, p. 63-78, 発行日 2011-03-31 |
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出版者 | 比治山大学現代文化学部 | |||||||||||||
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収録物識別子タイプ | ISSN | |||||||||||||
収録物識別子 | 1343-358X | |||||||||||||
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収録物識別子タイプ | NCID | |||||||||||||
収録物識別子 | AN10477980 | |||||||||||||
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内容記述タイプ | Other | |||||||||||||
内容記述 | application/pdf | |||||||||||||
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出版タイプ | AM | |||||||||||||
出版タイプResource | http://purl.org/coar/version/c_ab4af688f83e57aa |